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Livia / Motion Parallax

by Linebacker Dirge

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1.
Livia 03:47
Resignation, Has it’s freedoms, When wielded wisely; Loosing pistols, Vaguely airwards, In celebration, And commemoration, Of what Livia said; It’s all a big nothing. It’s all a big nothing. It’s all a big nothing, And you’ll die in your own arms. It’s all a big nothing. It’s all a big nothing. It’s all a big nothing, And you’ll die in your own arms. It’s all a big nothing. It’s all a big nothing. It’s all a big nothing, What do you think you’re special?! Or something? Well which is it? Because I’m not seeing either.
2.
I remember when it felt, Overwhelming; As the foreground passed by faster. Than I could frame it in the window. Where present tense, Bombards the short term memory, And past defeats, Can claim dominion, On your senses and your crippled sense of self, But these beaten tracks are lending to a point; That it may never be over, But it dulls. No, it may never be over; But it dulls, As, Things slow down, And fall back into focus, On distal planes. And this may grant, Perspective panorama, On events that at first, Were just a blur. Yes, things slow down, And seen in softer focus, You might concede, That you're worth a fucking million, Of those other fucking people who just, Split, The difference.

credits

released August 4, 2015

Words and Music by Jason Gibson and Ian McHugh*
Recorded by Jason Gibson and Ian McHugh at JT Soar, Nottingham, Engomi, Cyprus and Castle Espie, Northern Ireland
Mixed and Mastered by Jason Gibson
Artwork by John Quinn.

Thanks to Phil Booth, Colm Laverty, James Bruce and Clark Phillips

*Track 2 - Additional Vocals by Rory James Gibson

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